"David V. Corbin" wrote:
>
> The "issue" is that the differences in on-linearities ("color") are also a
> function of volume.
>
> While this is a very subjective matter, it is quite real.
>
> As the sound enginer for a band, I did a number of tests on the frequency
> analysis (including phase, attack, distortion, etc) on a number of
> performances. Given the same material being played at different venues, the
> profiles were quite distinct.
>
> In recent years, a number of audio equipment manufacturers have released DSP
> based products that mimic the behaviour of specific tube based amplifiers.
> While some purists disagree, the majority of blind sound tests have
> confirmed that these are indistinguasible from the originals to the human
> (trained) ear.
>
> So a "perfect" amplifier is not really what is desired in most conditions.
Though I learned a lot from this discussion, I still don't see why you
would not change the "color" at the input of a "perfect" amp instead of
letting the amp determine the "color". Unless those DSPs compensate for
the distortion in the "non-perfect" amp, those DSPs need a "perfect" amp
as well. Or wrong again?
Bert
Received on Thu Jul 15 2004 - 09:05:45 BST
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